New World Giants takes inspiration from ancestral traditions, and is rooted in British townscapes. Here, towering masquerades stand in sharp contrast to the surrounding architecture. Àsìkò draws from Yoruba traditions and Caribbean heritage to reimagine the Black body as a mythical monument. He explores identity shaped by migration and cultural memory. New World Giants reflects the Egun (ethnic group located in Lagos and Ogun State in the South-Western part of Nigeria) and the Caribbean Moko Jumbie (a traditional stilt walker or dancer associated with Caribbean Carnivals), who become symbols of protection, resilience and spiritual connection. These monumental figures, placed in quiet British streets, highlight themes of displacement and adaptation. They serve as portals between past and present, offering a meditation on cultural transformation.