Bella Easton’s work explores memory, perception and the passage of time through layered processes that hybridise painting, printmaking and textiles in unconventional ways. Using recycled and repurposed materials, she creates immersive, atmospherically lit compositions that respond to architectural space and material history, reflecting on fragility, presence and absence and shifting boundaries between interior and exterior space. Patterns unfold like echoes or afterimages, where visibility is partial and coherence gently unsettled. Flock, Flee, Floral Fields is an installation composed of two layers, with mirrored repetition forming a fractured dual surface and the viewer moving between them, suspended between image and afterimage, memory and dislocation.