In ‘Photograph Drawing III’, Jeonghan Yun explores the relationship between light, time and spatial perception. The work is composed of woven analogue slide film arranged in a grid and illuminated from behind, transforming photographic fragments into a continuous, shifting field. Rather than presenting a fixed image, the piece operates as a temporal surface where multiple moments coexist and overlap. Yun’s practice examines the essence of spacetime through layering, repetition and material transformation. Here, light extends duration, revealing subtle transitions and reflecting an interest in intermediate states where perception oscillates between clarity and abstraction.