Jingjing Xu (b. 2000) is a London-based interdisciplinary artist whose practice focuses on experimental explorations in moving image and digital media. Xu’s work uses the body as a narrative starting point to explore how individuals navigate space within social structures, cultural expectations and personal desires. Inspired by Eastern aesthetics, her work uses allegorical or poetic visual language. Set within the framework of Camus’ absurdism, the Myth of Sisyphus is reimagined as a contemporary parable of “the absurd” and “rebellion”, where repetition becomes a persistent inquiry into meaning.