Michael McCormack’s sculptural practice questions whether liberty emerges through the absence of constraint or the conscious imposition of rules and boundaries. His work takes the simplicity of geometric forms and changes them into fragmented systems, creating a material tension that foregrounds the balance between control and agency. These interventions extend and disrupt existing architectural vocabularies, reassigning power from fixed space to sculptural gesture. His work embraces theatricality as activation, where the viewer’s movement and negotiation activate the work.