Paul Rowbottom’s sculptures place the digital world in direct dialogue with the fleeting, transient natural world. His recent work draws on the architecture of trees, as well as the body’s innate ability to balance movement and stillness. The artist works with glass, using its internal depth to look beneath the surface, both visually and metaphorically, and suggest hidden or partially obscured worlds. A luminous colour palette allows the material to capture and convey moments of subtle change. In Arabesque, he reduces sculptural form to its essence – geometry, light and space – to generate emotional resonance through minimal composition.