Paul Rowbottom’s sculpture explores the relationship between digital space and the observation of transient natural phenomena. His recent work draws on the structural forms of trees and the body’s constant negotiation between balance and instability in movement. Working with glass, he uses its internal depth to look beneath the surface, both visually and metaphorically, suggesting hidden or partially obscured worlds. A luminous colour palette allows the material to capture and convey moments of fleeting, delicate change. In Arabesque, he reduces sculptural form to its essence (geometry, light and space) to generate emotional resonance through minimal composition.