Sara Campaci’s series questions the idea of a unified self. Each collage assembles found photographs to create incomplete figures, a metaphor for conflicted identity. While the images are matched to give a sense of visual continuity – a leg appears to fold and the fabric of a dress drapes seamlessly across two images – on closer inspection the figures are incoherent. Through disruption, the images attempt to embrace the beauty and complexity of multiplicity. They seem to show that it is possible to be whole while containing many selves.