Viewing is continuously reconstituted through movement in space within the work of Ya Ke Tsai. Using “sculptural painting” and non-rectangular canvases, the Taiwan-based artist explores how the body orients itself through environment and light. In Tremor, he captures a silent unrest, as light reveals pulses within gaps. His practice transforms memory into a tangible, three-dimensional field. “The canvas as skin, the frame as bone, the paint as blood—together they embody my soul.” Turmoil explores tensions between body and space, discipline and liberation, disassembling form and identity while preserving rupture, void and an unstable order.