Yiding Chen is a photographic artist working between image-making and installation. His practice examines how images function as systems of control and perception, focusing on bodily gestures and visual structures. Through cutting and spatializing images, he transforms photography from representation into an active system that reflects the instability between documentation and construction. In Natural Born Left-Handed Killer, he draws on archival and forensic aesthetics to explore how left-handedness was historically misread as criminality, using staged photographs, bodily close-ups and reconstructed diagrams to question how visual systems construct and enforce narratives of intent, identity and deviance.