Kasia AlexiouHome The Catcher in the Rye - Levitation (2024) Kasia Alexiou merges textiles with scientific principles to create immersive, multi-sensory installations. Through layered fabric, metal, wood and holographic effects,…
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Kat AustenHome How to Touch a Dragonfly Kat Austen’s practice responds to urgent environmental concerns through sound, performance and installation. Her work advocates recovery and coexistence, fostering new dialogues with…
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Katarzyna ZubHome The Rhythmn of Change (2023-24) instagram @kat.aleks.studio Katarzyna Zub blends philosophy and visual art to interrogate images and their symbolic depths. Combining conceptual enquiry with photographic collage, she…
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Katerina BelkinaHome For all Mankind (2022) Katerina Belkina, a Hasselblad Master from Russia, crafts mystical self-portraits that merge painting, photography and digital collage. Her work delves into human psychology and…
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Kialy TihngangHome Fetissoes (2023) Glasgow-based multidisciplinary artist Kialy Tihngang weaves sculpture, video, textiles and animation into a research-driven critique of colonial misrepresentation and cultural extraction. Engaging with West African heritage,…
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Jean-Claude BiseHome Cosmos 5 (2023) Self-taught photographer Jean-Claude Bise developed his craft amid the vibrant artistic movements of the 1960s and 1970s, learning from painter, decorator and photographer friends. His…
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Jean Paul Soujol BenedettiHome Ursula at San Cataldo (2023) Jean Paul Soujol Benedetti’s conceptual photography draws on minimalism and contemporary art to transform everyday reality. His work focuses on the…
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Kota IshidaHome Want to Feel, But Not Here (2023) Tokyo-born, London-based Kota Ishida transforms photographs into three-dimensional sculptures using AI and 3D technology. His practice interrogates the blurred line between…
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Kseniia AntipinaHome A Fishy Encounter (2024) Berlin-based Kseniia Antipina creates surreal photographic narratives centred on figures searching for belonging. Her carefully composed scenes capture intangible emotions, often obscuring faces to…
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